![]() ![]() Once the paint is dry you are ready to print. Try not to leave any lumps of paint on your surface: if the painted surface is smooth it is easier to print. Know this might help you decide which areas to paint. The areas that are black on the film positive will print with the color ink chosen. As you begin to underpaint, keep the film positive handy so you have an idea about which areas will be printed and which will not. Underpainting: Paint the areas on the paper you have traced.Once this is complete you can begin the underpainting. Retrace the image to transfer it to the paper. Slip a sheet of graphite paper underneath the tracing paper. Center the tracing onto the paper, then lightly tape it down to hold it in place. As an example, if you wanted to have a two inch border all the way around an 8 1/2″ x 11″ print, your paper size would be 12 1/2″ x 15″. The size of your paper depends on how much space you want as a border around your image. Registering and transferring: Use your tracing to register or place the image onto the paper you will be printing on.Trace only the general shapes such as contours of hair, shoulders, eyes, nose, lips, etc. This will serve as the guideline for the underpainting. Tracing: Make a tracing of the image from the film positive.Review the process video of Warhol’s silkscreen printing technique and the Underpainting and Printing Powerpoint as a class.While Warhol didn’t invent the photographic silkscreen process, he developed his own technique by combining hand-painted backgrounds with photographic silkscreen printed images to create unique works of art. They settled and in 1964 Warhol went on to exhibit his Flowers at the prominent Leo Castelli Gallery. Warhol offered her a couple of prints in hopes of settling the dispute, but she declined the offer. ![]() Caulfield saw the initial prints and took legal action against Warhol. While the flowers originate from realistic photographs, Warhol altered his versions of the flowers, by flattening, cropping, and increasing the contrast of the image, then painting them using vivid colors. ![]() The photographic silkscreen printing process created a precise and defined image and allowed Warhol and his assistants to mass-produce a large number of prints with relative ease. After the image was exposed and the screen was prepared for printing, it was returned to The Factory, Warhol’s New York City studio. After selecting the image, Warhol sent it to a commercial silkscreen maker with a note as to the desired dimensions of the screen and the number of colors to be printed. Warhol’s Flowers series is a portfolio of ten screenprints and hundreds of paintings based off of photographs taken by Patricia Caulfield, which were featured in the June 1964 issue of Modern Photography magazine. This commercial process allowed him to easily reproduce the images that he appropriated from popular culture. Andy Warhol turned to his most notable style-photographic silkscreen printing-in 1962. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |